The Theater Essays Of Arthur Miller

The Theater Essays Of Arthur Miller-63
Thus the possibility of arriving at 100 becomes the next personal frontier.Winnie Blagden was a Yorkshire widow without children and living alone.Let me address three essential features of Miller’s output that make him worth a centenary retrospective.

I’m still disappointed that the trophy on my mantelpiece marks my victory at the age of 12 in “the -yard dash,” so frustratingly short of the gold standard for all would-be sprinters.

But of course it’s the larger human dimension of the number 100 that so fascinates us.

Obviously the title wasn’t meant to refer to the author himself, since the play closed after four performances.

Although it won a prize from the Theatre Guild, its commercial failure tempted Miller to abandon playwriting altogether; this early work had to wait almost 50 years for a production at the Bristol Old Vic in England, and nearly 60 years, in 2002, for a spectacular revival in New York by the Roundabout Theatre Company.

But let’s start with what historians might call the foundational moment.

The Theater Essays Of Arthur Miller

Arthur Asher Miller was born in New York City on October 17, 1915, the second of three children to Isidore and Augusta Miller.

Even in the West, as we all know, never mind that Japanese island where centenarians sound like the norm, the prospect of reaching 100 becomes more realistic every year, even if its attractiveness is qualified by anxiety about its possible accompaniments.

I’m told that, when Harry Truman turned 70 in May of 1954, he declared, “from now on, every day is a blessing.” Some might wish to say that of every day from birth; but we’re probably all willing in 2016 to upgrade Truman’s figure to 80, or even 90.

It’s no surprise, therefore, that when a figure turns 100, the world around him or her takes notice.

And so we’ve come to expect that artists and authors in particular will be remembered and celebrated on their 100th anniversary, whether alive or dead.


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