Modern Critical Essays

Modern Critical Essays-42
You can use more than one essay from the same published anthology because the essays are written by different people.

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A literary criticism anthology is a collection of previously published essays and articles on a specific author or story usually written by many different authors and includes an editor or compiler who puts them all together for re-publication.

When citing an anthology you will include both the author of the essay and the editor(s) of the book the essays were re-published in.

Winchell offers a most authoritative and comprehensive overview of what Brooks, Robert Penn Warren, Allen Tate, John Crowe Ransom, and their fellow “fugitives” of the 1930’s and 1940’s brought to modern literary criticism.

While focusing on Brooks as the central figure in modern criticism, Winchell also details the importance of academic contexts and controversies surrounding the New Critics emphasis on close examinations of literary texts, providing readers a survey of how southern academic culture came into its own in the middle of the century.

He found himself drawn to the philosophy of Arthur Schopenhauer, but at the same time he turned to ancient Indian and Chinese thought, from the Upanishads to Zhuangzi’s essays.

In , professor of Japanese language and East Asian History at Willamette University, retraces Taoka Reiun’s personal and professional life from the point of view of the historian.Contributors include scholars from Asia, North America, Europe, and Southeast Asia.It is an indispensable reference for anyone interested in contemporary China and the global politics of Sinophone literature.Each of the ten essays deals with a particular conceptual problem or case study of different locations and modalities of Chinese-language, or Sinophone, production.From language to music, literature to popular culture, minority politics to internal diaspora, theories of sinography to China's quest for the Nobel Prize, this volume brings together leading and new voices in the study of Chinese literature from a variety of comparative and intranational perspectives.The book – the result of a long and challenging process which lasted for more than 40 years – represents a powerful homage to one of the most important “forgotten thinkers” who helped shape the intellectual landscape of modern Japan.This path-breaking collection of critical essays introduces a diverse range of approaches to open up the field of modern Chinese literature to new cross-regional, local, and global analyses.Following an explanation of microeconomic foundations, chapters introduce the basic elements for a better macro model.The model is simple, but combined with the appropriate model of the labor market it can say useful things about the fluctuation of employment, the correlation between wages and employment, and the role for corrective monetary policy. This is how scientificprogress should be done—by sober analysis rather than cleverrhetoric or frenzied ideology. It demonstrates not only how the new classical view got macroeconomics wrong, but alsohow to go about doing macroeconomics the right way.Hahn and Solow argue that what was originally offered as a normative model based on perfect foresight and universal perfect competition—useful for predicting what an ideal, omniscient planner should do—has been almost casually transformed into a model for interpreting real macroeconomic behavior, leading to Panglossian economics that does not reflect actual experience.


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