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The speaker’s interaction with the urn ends, however, as being ‘frozen’, it can offer no more answers and there is nothing more that it can reveal.In stanza five, the speaker ‘takes a step backwards’ and considers the urn in its entirety as an inanimate object and not in terms of the scenes on it.
‘For ever more’ in line 38 now refers to emptiness.
It is as if the vivid, fresh mood of stanza three has been reversed.
Ode on a Grecian Urn by John Keats The "Ode on a Grecian Urn" portrays what Keats sees on the urn himself, only his view of what is going on.
The urn, passed down through many centuries portrays the image that everything that is going on on the urn is frozen.
These struggles however seem to become reconciled in Ode To Autumn.
If the struggle with the urn’s preservation was symbolic of Keats’ own struggle to evade death, his overall feeling seems to have mellowed in his ode to autumn.It is an object of beauty that the speaker has experienced.If we take it that the final two lines are spoken solely by the urn (although this has long been a topic of debate) it is as if the urn is saying that the speaker has been asking all the wrong questions.The selection of this particular season implicitly takes up the themes of temporality, mortality and change but whereas the urn’s perfection lay in being immune to the passage of time, autumn’s seems to be that it embraces it.Despite the impending coldness and desolation of winter, autumn is a time of plenty and warmth in this ode.It is the "still unravish'd bride of quietness," "foster-child of silence and slow time." He speaks to the urn and not about the urn, he treats the urn like it is listening to him like a human.He also describes the urn as a "historian," which In the second stanza, the speaker looks at another picture on the urn, this time of a young man playing a pipe, lying with his love beneath a tree.The themes of struggle between staying constant and changing, of joy leading to sadness, are echoed throughout Keats’ odes.In the final stanza of Ode On Melancholy, Keats views pleasure and pain as inextricably linked: She dwells with Beauty – Beauty that must die; And Joy, whose hand is ever at his lips Bidding adieu; and aching Pleasure nigh’.He imagines their little town, without the villagers, and tells it that its streets will "for evermore" be silent, for those who left it, frozen on the urn, will never return.For the first time the speaker almost seems to relent on the perfection of never changing and, addressing the town directly, seems to hold real and generous feeling that it will always be ‘desolate’.