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Instead students should find the teacher that is right for them, he told the festival.
The class will form a community of writers who respond sensitively and constructively to each individual’s work. On this course you will learn to: • Read as a writer, and in so doing become attuned to important writing practices.• Develop your understanding of writing techniques, and use them in your own work.
• Enhance your imagination by carrying out a series of innovative writing exercises.
They can write sentences but they don't know how to make a story go from there all the way through to the end without people dying of boredom in between.
It's a difficult thing to do and it's a great skill to have. I don't think you can." He was awarded a professorship in October having previously worked as a research associate on the creative writing course at the London University.
But in a speech likely to upset many of his pupils, the author said many spend their time worrying about the writing and the prose and do not understand that it is the story that really matters, that people will read a book not because it is well written but to find out what happens next.
Kureishi, 59, whose famous works include My Beautiful Launderette and The Black Album, said it would be “madness” to pay thousands to enrol in a creative writing MA. The whole thing with courses is that there are too many teachers on them, and most are going to teach you stuff that is a waste of time for you,” he said.
• Receive peer feedback on your own work at least twice, which will help with redrafting.
• Cultivate imaginative writing skills that can be transferred to other fields of work.
"I can't give them talent but I can say to them: 'Look, if you do that, you're going to waste a lot of time'," he said.
In the real world it is a “nightmare” trying to make a living from the pen, added Kureishi, who said he started off wanting to be an artist but his perspective changed when he became a father to three sons.